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Comments on Greek painting, art, contemporary thought

Our blog is an artistic, cultural guide to the Greek landscapes. At the same time it offers an introduction to the history of Greek fine arts, Greek artists, mainly Greek painters, as well as to the recent artistic movements

Our aim is to present the Greek landscapes in a holistic way: Greek landscapes refer to pictures and images of Greece, to paintings and art, to poetry and literature, to ancient philosophy and history, to contemporary thought and culture...
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greek artists, contemporary thought, greek painters, literature, greek paintings, modern greek artists



Showing posts with label Greek paintings. Show all posts
Showing posts with label Greek paintings. Show all posts

Tuesday, January 26, 2016

there is no sharper point than that of Infinity...

Ah! Must one eternally suffer, or else eternally flee beauty? Nature, pitiless sorceress, ever victorious rival, do let me be! Stop tempting my desires and my pride! The study of beauty is a duel in which the artist shrieks with terror before being overcome...
*
Ah ! faut-il éternellement souffrir, ou fuir éternellement le beau ? Nature, enchanteresse sans pitié, rivale toujours victorieuse, laisse-moi ! Cesse de tenter mes désirs et mon orgueil ! L’étude du beau est un duel où l’artiste crie de frayeur avant d’être vaincu. 

http://yannisstavrou.blogspot.com
Yannis Stavrou, Galatas, oil on canvas

Charles Baudelaire
Paris Spleen
Artist’s Confiteor

How poignant the late afternoon of autumn! Ah! poignant to the verge of pain, for there are certain delicious sensations which are no less intense for being vague; and there is no sharper point than that of Infinity.

What bliss to plunge the eyes into the immensity of sky and sea! Solitude, silence, incomparable chastity of the blue! a tiny sail shivering on the horizon, imitating by its littleness and loneliness my irremediable existence, monotonous melody of the waves, all these things think through me or I through them (for in the grandeur of reverie the ego is quickly lost!); I say they think, but musically and picturesquely, without quibblings, without syllogisms, without deductions.

These thoughts, whether they come from me or spring from things, soon, at all events, grow too intense. Energy in voluptuousness creates uneasiness and actual pain. My nerves are strung to such a pitch that they can no longer give out anything but shrill and painful vibrations.

And now the profound depth of the sky dismays me; its purity irritates me. The insensibility of the sea, the immutability of the whole spectacle revolt me…Ah! Must one eternally suffer, or else eternally flee beauty? Nature, pitiless sorceress, ever victorious rival, do let me be! Stop tempting my desires and my pride! The study of beauty is a duel in which the artist shrieks with terror before being overcome.

(translated by Louise Varèse)

Charles Baudelaire
Petits poèmes en prose
Le Confiteor de l'Artiste

Que les fins de journées d’automne sont pénétrantes ! Ah ! pénétrantes jusqu’à la douleur ! car il est de certaines sensations délicieuses dont le vague n’exclut pas l’intensité ; et il n’est pas de pointe plus acérée que celle de l’Infini.
Grand délice que celui de noyer son regard dans l’immensité du ciel et de la mer ! Solitude, silence, incomparable chasteté de l’azur ! une petite voile frissonnante à l’horizon, et qui par sa petitesse et son isolement imite mon irrémédiable existence, mélodie monotone de la houle, toutes ces choses pensent par moi, ou je pense par elles (car dans la grandeur de la rêverie, le moi se perd vite !) ; elles pensent, dis-je, mais musicalement et pittoresquement, sans arguties, sans syllogismes, sans déductions.
Toutefois, ces pensées, qu’elles sortent de moi ou s’élancent des choses, deviennent bientôt trop intenses. L’énergie dans la volupté crée un malaise et une souffrance positive. Mes nerfs trop tendus ne donnent plus que des vibrations criardes et douloureuses.
Et maintenant la profondeur du ciel me consterne ; sa limpidité m’exaspère. L’insensibilité de la mer, l’immuabilité du spectacle me révoltent… Ah ! faut-il éternellement souffrir, ou fuir éternellement le beau ? Nature, enchanteresse sans pitié, rivale toujours victorieuse, laisse-moi ! Cesse de tenter mes désirs et mon orgueil ! L’étude du beau est un duel où l’artiste crie de frayeur avant d’être vaincu.

Wednesday, September 11, 2013

The Drunken Boat...

Yannis Stavrou, Red Ships, oil on canvas (detail)

Arthur Rimbaud

The Drunken Boat

As I floated down impassive Rivers,

I felt myself no longer pulled by ropes:

The Redskins took my hauliers for targets,

And nailed them naked to their painted posts.



Carrying Flemish wheat or English cotton,

I was indifferent to all my crews.

The Rivers let me float down as I wished,

When the victims and the sounds were through.



Into the furious breakers of the sea,

Deafer than the ears of a child, last winter,

I ran! And the Peninsulas sliding by me

Never heard a more triumphant clamour.



The tempest blessed my sea-borne arousals.

Lighter than a cork I danced those waves

They call the eternal churners of victims,

Ten nights, without regret for the lighted bays!



Sweeter than sour apples to the children

The green ooze spurting through my hull’s pine,

Washed me of vomit and the blue of wine,

Carried away my rudder and my anchor.



Then I bathed in the Poem of the Sea,

Infused with stars, the milk-white spume blends,

Grazing green azures: where ravished, bleached

Flotsam, a drowned man in dream descends.


Where, staining the blue, sudden deliriums

And slow tremors under the gleams of fire,

Stronger than alcohol, vaster than our rhythms,

Ferment the bitter reds of our desire!



I knew the skies split apart by lightning,

Waterspouts, breakers, tides: I knew the night,

The Dawn exalted like a crowd of doves,

I saw what men think they’ve seen in the light!



I saw the low sun, stained with mystic terrors,

Illuminate long violet coagulations,

Like actors in a play, a play that’s ancient,

Waves rolling back their trembling of shutters!



I dreamt the green night of blinded snows,

A kiss lifted slow to the eyes of seas,

The circulation of unheard-of flows,

Sung phosphorus’s blue-yellow awakenings!



For months on end, I’ve followed the swell

That batters at the reefs like terrified cattle,

Not dreaming the Three Marys’ shining feet

Could muzzle with their force the Ocean’s hell!



I’ve struck Floridas, you know, beyond belief,

Where eyes of panthers in human skins,

Merge with the flowers! Rainbow bridles, beneath

the seas’ horizon, stretched out to shadowy fins!



I’ve seen the great swamps boil, and the hiss

Where a whole whale rots among the reeds!

Downfalls of water among tranquilities,

Distances showering into the abyss.


Nacrous waves, silver suns, glaciers, ember skies!

Gaunt wrecks deep in the brown vacuities

Where the giant eels riddled with parasites

Fall, with dark perfumes, from the twisted trees!



I would have liked to show children dolphins

Of the blue wave, the golden singing fish.

– Flowering foams rocked me in my drift,

At times unutterable winds gave me wings.



Sometimes, a martyr tired of poles and zones,

The sea whose sobs made my roilings sweet

Showed me its shadow flowers with yellow mouths

And I rested like a woman on her knees…



Almost an isle, blowing across my sands, quarrels

And droppings of pale-eyed clamorous gulls,

And I scudded on while, over my frayed lines,

Drowned men sank back in sleep beneath my hull!…



Now I, a boat lost in the hair of bays,

Hurled by the hurricane through bird-less ether,

I, whose carcass, sodden with salt-sea water,

No Monitor or Hanseatic vessel could recover:



Freed, in smoke, risen from the violet fog,

I, who pierced the red skies like a wall,

Bearing the sweets that delight true poets,

Lichens of sunlight, gobbets of azure:



Who ran, stained with electric moonlets,

A crazed plank, companied by black sea-horses,

When Julys were crushing with cudgel blows

Skies of ultramarine in burning funnels:



I, who trembled to hear those agonies

Of rutting Behemoths and dark Maelstroms,

Eternal spinner of blue immobilities,

I regret the ancient parapets of Europe!



I’ve seen archipelagos of stars! And isles

Whose maddened skies open for the sailor:

– Is it in depths of night you sleep, exiled,

Million birds of gold, O future Vigour? –



But, truly, I’ve wept too much! The Dawns

Are heartbreaking, each moon hell, each sun bitter:

Fierce love has swallowed me in drunken torpors.

O let my keel break! Tides draw me down!



If I want one pool in Europe, it’s the cold

Black pond where into the scented night

A child squatting filled with sadness launches

A boat as frail as a May butterfly.



Bathed in your languor, waves, I can no longer

Cut across the wakes of cotton ships,

Or sail against the pride of flags, ensigns,

Or swim the dreadful gaze of prison ships.


Arthur Rimbaud 

Le bateau ivre

Comme je descendais des Fleuves impassibles,
Je ne me sentis plus guidé par les haleurs :
Des Peaux-Rouges criards les avaient pris pour cibles,
Les ayant cloués nus aux poteaux de couleurs.

J’étais insoucieux de tous les équipages,
Porteur de blés flamands ou de cotons anglais.
Quand avec mes haleurs ont fini ces tapages,
Les Fleuves m’ont laissé descendre où je voulais.

Dans les clapotements furieux des marées,
Moi, l’autre hiver, plus sourd que les cerveaux d’enfants,
Je courus ! Et les Péninsules démarrées
N’ont pas subi tohu-bohus plus triomphants.

La tempête a béni mes éveils maritimes.
Plus léger qu’un bouchon j’ai dansé sur les flots
Qu’on appelle rouleurs éternels de victimes,
Dix nuits, sans regretter l’œil niais des falots !

Plus douce qu’aux enfants la chair des pommes sures,
L’eau verte pénétra ma coque de sapin
Et des taches de vins bleus et des vomissures
Me lava, dispersant gouvernail et grappin.

Et, dès lors, je me suis baigné dans le Poème
De la Mer, infusé d’astres, et lactescent,
Dévorant les azurs verts ; où, flottaison blême
Et ravie, un noyé pensif parfois descend ;

Où, teignant tout à coup les bleuités, délires
Et rythmes lents sous les rutilements du jour,
Plus fortes que l’alcool, plus vastes que nos lyres,
Fermentent les rousseurs amères de l’amour !

Je sais les cieux crevant en éclairs, et les trombes
Et les ressacs, et les courants : je sais le soir,
L’Aube exaltée ainsi qu’un peuple de colombes,
Et j’ai vu quelquefois ce que l’homme a cru voir !

J’ai vu le soleil bas, taché d’horreurs mystiques,
Illuminant de longs figements violets,
Pareils à des acteurs de drames très antiques
Les flots roulant au loin leurs frissons de volets !

J’ai rêvé la nuit verte aux neiges éblouies,
Baisers montant aux yeux des mers avec lenteurs,
La circulation des sèves inouïes,
Et l’éveil jaune et bleu des phosphores chanteurs !

J’ai suivi, des mois pleins, pareille aux vacheries
Hystériques, la houle à l’assaut des récifs,
Sans songer que les pieds lumineux des Maries
Pussent forcer le mufle aux Océans poussifs !

J’ai heurté, savez-vous, d’incroyables Florides
Mêlant au fleurs des yeux de panthères à peaux
D’hommes ! Des arcs-en-ciel tendus comme des brides
Sous l’horizon des mers, à de glauques troupeaux !

J’ai vu fermenter les marais énormes, nasses
Où pourrit dans les joncs tout un Léviathan !
Des écroulements d’eaux au milieu des bonaces,
Et les lointains vers les gouffres cataractant !

Glaciers, soleils d’argent, flots nacreux, cieux de braises !
Échouages hideux au fond des golfes bruns
Où les serpents géants dévorés des punaises
Choient, des arbres tordus avec de noirs parfums !

J’aurais voulu montrer aux enfants ces dorades
Du flot bleu, ces poissons d’or, ces poissons chantants.
— Des écumes de fleurs ont bercé mes dérades
Et d’ineffables vents m’ont ailé par instants.

Parfois, martyr lassé des pôles et des zones,
La mer dont le sanglot faisait mon roulis doux
Montait vers moi ses fleurs d’ombre aux ventouses jaunes
Et je restais, ainsi qu’une femme à genoux...

Presque île, ballottant sur mes bords les querelles
Et les fientes d’oiseaux clabaudeurs aux yeux blonds.
Et je voguais, lorsqu’à travers mes liens frêles
Des noyés descendaient dormir, à reculons !

Or moi, bateau perdu sous les cheveux des anses,
Jeté par l’ouragan dans l’éther sans oiseau,
Moi dont les Monitors et les voiliers des Hanses
N’auraient pas repêché la carcasse ivre d’eau ;

Libre, fumant, monté de brumes violettes,
Moi qui trouais le ciel rougeoyant comme un mur
Qui porte, confiture exquise aux bons poètes,
Des lichens de soleil et des morves d’azur ;

Qui courais, taché de lunules électriques,
Planche folle, escorté des hippocampes noirs,
Quand les juillets faisaient crouler à coups de triques
Les cieux ultramarins aux ardents entonnoirs ;

Moi qui tremblais, sentant geindre à cinquante lieues
Le rut des Béhémots et des Maelstroms épais,
Fileur éternel des immobilités bleues,
Je regrette l’Europe aux anciens parapets !

J’ai vu des archipels sidéraux ! et des îles
Dont les cieux délirants sont ouverts au vogueur :
— Est-ce en ces nuits sans fonds que tu dors et t’exiles,
Millions d’oiseaux d’or, ô future Vigueur ?

Mais, vrai, j’ai trop pleuré ! Les Aubes sont navrantes.
Toute lune est atroce et tout soleil amer :
L’âcre amour m’a gonflé de torpeurs enivrantes.
Ô que ma quille éclate ! Ô que j’aille à la mer !

Si je désire une eau d’Europe, c’est la flache
Noire et froide où vers le crépuscule embaumé
Un enfant accroupi, plein de tristesse, lâche
Un bateau frêle comme un papillon de mai.

Je ne puis plus, baigné de vos langueurs, ô lames,
Enlever leur sillage aux porteurs de cotons,
Ni traverser l’orgueil des drapeaux et des flammes,
Ni nager sous les yeux horribles des pontons !

Monday, November 5, 2012

50 New Bookmarks from Yannis Stavrou' s paintings...



Just edited! 50 New Bookmarks from Yannis Stavrou' s paintings at the POLITEIA bookshops, 1 Asklipiou St, Athens, Greece...

Social & Economic Crisis - Time for Reading

Friday, November 11, 2011

60 new bookmarks based on Yannis Stavrou's paintings...


The new bookmarks from Yannis Stavrou's paintings

Landscape, portraits, marine art, still life, seascapes: some of the sixty bookmarks-based on Yannis Stavrou paintings - that have been edited by POLITEIA Bookshops for 2011 - 2012.

Copyright © POLITEIA, 1 Asklipiou Street, Athens, Greece, tel. +30 210 3600235

http://www.politeianet.gr

Monday, November 7, 2011

with usura hath no man a painted paradise...


Piero de la Franscesca (1422-1492)

They have brought whores for Eleusis
Corpses are set to banquet
at behest of usura...

Ezra Pound

Canto XLV
-With Usura

With usura hath no man a house of good stone
each block cut smooth and well fitting
that design might cover their face,
with usura
hath no man a painted paradise on his church wall
harpes et luz
or where virgin receiveth message
and halo projects from incision,
with usura
seeth no man Gonzaga his heirs and his concubines
no picture is made to endure nor to live with
but it is made to sell and sell quickly
with usura, sin against nature,
is thy bread ever more of stale rags
is thy bread dry as paper,
with no mountain wheat, no strong flour
with usura the line grows thick
with usura is no clear demarcation
and no man can find site for his dwelling.
Stonecutter is kept from his tone
weaver is kept from his loom
WITH USURA
wool comes not to market
sheep bringeth no gain with usura
Usura is a murrain, usura
blunteth the needle in the maid’s hand
and stoppeth the spinner’s cunning. Pietro Lombardo
came not by usura
Duccio came not by usura
nor Pier della Francesca; Zuan Bellin’ not by usura
nor was ‘La Calunnia’ painted.
Came not by usura Angelico; came not Ambrogio Praedis,
Came no church of cut stone signed: Adamo me fecit.
Not by usura St. Trophime
Not by usura Saint Hilaire,
Usura rusteth the chisel
It rusteth the craft and the craftsman
It gnaweth the thread in the loom
None learneth to weave gold in her pattern;
Azure hath a canker by usura; cramoisi is unbroidered
Emerald findeth no Memling
Usura slayeth the child in the womb
It stayeth the young man’s courting
It hath brought palsey to bed, lyeth
between the young bride and her bridegroom
CONTRA NATURAM
They have brought whores for Eleusis
Corpses are set to banquet
at behest of usura.

Thursday, September 1, 2011

Thou art as I, a bright sun fallen low...

Autumn through the poet's eyes...


Yannis Stavrou, Autumn, oil on canvas
(detail)


Charles Baudelaire

Sonnet of Autumn

They say to me, thy clear and crystal eyes:
"Why dost thou love me so, strange lover mine?"
Be sweet, be still! My heart and soul despise
All save that antique brute-like faith of thine;

And will not bare the secret of their shame
To thee whose hand soothes me to slumbers long,
Nor their black legend write for thee in flame!
Passion I hate, a spirit does me wrong.

Let us love gently. Love, from his retreat,
Ambushed and shadowy, bends his fatal bow,
And I too well his ancient arrows know:

Crime, horror, folly. O pale marguerite,
Thou art as I, a bright sun fallen low,
O my so white, my so cold Marguerite.


Charles Baudelaire (1821-1867)

Sonnet d'automne

Ils me disent, tes yeux, clairs comme le cristal:
«Pour toi, bizarre amant, quel est donc mon mérite?»
— Sois charmante et tais-toi! Mon coeur, que tout irrite,
Excepté la candeur de l'antique animal,

Ne veut pas te montrer son secret infernal,
Berceuse dont la main aux longs sommeils m'invite,
Ni sa noire légende avec la flamme écrite.
Je hais la passion et l'esprit me fait mal!

Aimons-nous doucement. L'Amour dans sa guérite,
Ténébreux, embusqué, bande son arc fatal.
Je connais les engins de son vieil arsenal:

Crime, horreur et folie! — Ô pâle marguerite!
Comme moi n'es-tu pas un soleil automnal,
Ô ma si blanche, ô ma si froide Marguerite?

Monday, July 18, 2011

looking at the moon...


Yannis Stavrou, Moon Shine, Thessaloniki, oil on canvas

The clouds come and go,
providing a rest for all
the moon viewers...

Japanese Poetry, Haiku

Matsuo Basho (1644-1694)

A cuckoo cries
and through a thicket of bamboo
the late moon shines

None is travelling
Here along this way but I,
This autumn evening.

The first day of the year:
thoughts come - and there is loneliness;
the autumn dusk is here.

An old pond
A frog jumps in -
Splash!

Lightening -
Heron's cry
Stabs the darkness

Clouds come from time to time -
and bring to men a chance to rest
from looking at the moon.

In the cicada's cry
There's no sign that can foretell
How soon it must die.

Poverty's child -
he starts to grind the rice,
and gazes at the moon.

Won't you come and see
loneliness? Just one leaf
from the kiri tree.

Temple bells die out.
The fragrant blossoms remain.
A perfect evening!

Husking rice
a child squints up
to view the moon

A field of cotton--
as if the moon
had flowered.

The clouds come and go,
providing a rest for all
the moon viewers

From time to time
The clouds give rest
To the moon beholders..

Winter garden,
the moon thinned to a thread,
insects singing.

Friday, July 15, 2011

There is no sin except stupidity...

Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation...


Oscar Wilde (1854-1900)

Oscar Wilde


Aphorisms

Whenever people agree with me I always feel I must be wrong.

There is no sin except stupidity.

We are all in the gutter, but some of us are looking at the stars.

There is no such thing as a moral or an immoral book. Books are well written, or badly written.


Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation.

Morality is simply the attitude we adopt towards people whom we personally dislike.

Most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one's mistakes.

No great artist ever sees things as they really are. If he did, he would cease to be an artist.


An excellent man; he has no enemies; and none of his friends like him.

An idea that is not dangerous is unworthy of being called an idea at all.

Anybody can be good in the country. There are no temptations there.

Arguments are extremely vulgar, for everyone in good society holds exactly the same opinion.

Arguments are to be avoided: they are always vulgar and often convincing.

Art is the most intense mode of individualism that the world has known.

As long as a woman can look ten years younger than her own daughter, she is perfectly satisfied.

As long as war is regarded as wicked, it will always have its fascination. When it is looked upon as vulgar, it will cease to be popular.

Between men and women there is no friendship possible. There is passion, enmity, worship, love, but no friendship.

Bigamy is having one wife too many. Monogamy is the same.

Biography lends to death a new terror.

By giving us the opinions of the uneducated, journalism keeps us in touch with the ignorance of the community.

Children begin by loving their parents; after a time they judge them; rarely, if ever, do they forgive them.

Consistency is the last refuge of the unimaginative.

Conversation about the weather is the last refuge of the unimaginative.

Death and vulgarity are the only two facts in the nineteenth century that one cannot explain away.

Deceiving others. That is what the world calls a romance.

Democracy means simply the bludgeoning of the people by the people for the people.

Do you really think it is weakness that yields to temptation? I tell you that there are terrible temptations which it requires strength, strength and courage to yield to.


A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.

A gentleman is one who never hurts anyone's feelings unintentionally.

A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal.

A man can be happy with any woman, as long as he does not love her.

A man can't be too careful in the choice of his enemies.

A man who does not think for himself does not think at all.

A man's face is his autobiography. A woman's face is her work of fiction.

A poet can survive everything but a misprint.

A thing is not necessarily true because a man dies for it.

A true friend stabs you in the front.

A work of art is the unique result of a unique temperament.

Ah, well, then I suppose I shall have to die beyond my means.

Alas, I am dying beyond my means.

All art is quite useless.

All women become like their mothers. That is their tragedy. No man does. That's his.

Always forgive your enemies - nothing annoys them so much.

Ambition is the germ from which all growth of nobleness proceeds.

Ambition is the last refuge of the failure.

America is the only country that went from barbarism to decadence without civilization in between.

Monday, May 23, 2011

Foolishness, error, sin, niggardliness...

Foolishness, error, sin, niggardliness,
Occupy our minds and work on our bodies...

Dedicated to our days and to the contemporary world...


Hieronymus Bosch, Christ carrying the cross (1450-1516)

Charles Baudelaire

To the Reader

(Translation By Eli Siegel)

Foolishness, error, sin, niggardliness,
Occupy our minds and work on our bodies,
And we feed our mild remorse,
As beggars nourish their vermin.

Our sins are insistent, our repentings are limp;
We pay ourselves richly for our admissions,
And we gaily go once more on the filthy path
Believing that by cheap fears we shall wash away all our sins.

On the pillow of evil it is Satan Trismegistus
Who soothes a long while our bewitched mind,
And the rich metal of our determination
Is made vapor by that learned chemist.

It is the Devil who holds the reins which make us go!
In repulsive objects we find something charming;
Each day we take one more step towards Hell-
Without being horrified-across darknesses that stink .

Like a beggarly sensualist who kisses and eats
The martyred breast of an ancient strumpet,
We steal where we may a furtive pleasure
Which we handle forcefully like an old orange.

Tight, swarming, like a million worms,
A population of Demons carries on in our brains,
And, when we breathe, Death into our lungs
Goes down, an invisible river, with thick complaints.

If rape, poison, the dagger, arson,
Have not as yet embroidered with their pleasing designs
The recurrent canvas of our pitiable destinies,
It is that our spirit, alas, is not brave enough.

But among the jackals, the panthers, the bitch-hounds,
The apes, the scorpions, the vultures, the serpents,
The monsters screeching, howling, grumbling, creeping,
In the infamous menagerie of our vices,

There is one uglier, wickeder, more shameless!
Although he makes no large gestures nor loud cries
He willingly would make rubbish of the earth
And with a yawn swallow the world;

He is Ennui!-His eye filled with an unwished-for tear,
He dreams of scaffolds while puffing at his hookah.
You know him, reader, this exquisite monster,
-Hypocrite reader,-my likeness,-my brother!

Tuesday, February 22, 2011

I am my own landscape...

I am my own landscape,
I watch myself journey -
Various, mobile, and alone.
Here where I am I can’t feel myself...



Fernando Pessôa (1888-1935)

Fernando Pessoa

I don’t know how many souls I have

I don’t know how many souls I have.
I’ve changed at every moment.
I always feel like a stranger.
I’ve never seen or found myself.
From being so much, I have only soul.
A man who has soul has no calm.
A man who sees is just what he sees.
A man who feels is not who he is.

Attentive to what I am and see,
I become them and stop being I.
Each of my dreams and each desire
Belongs to whoever had it, not me.
I am my own landscape,
I watch myself journey -
Various, mobile, and alone.
Here where I am I can’t feel myself.

That’s why I read, as a stranger,
My being as if it were pages.
Not knowing what will come
And forgetting what has passed,
I note in the margin of my reading
What I thought I felt.
Rereading, I wonder: “Was that me?”
God knows, because he wrote it.

Não sei quantas almas tenho

Não sei quantas almas tenho.
Cada momento mudei.
Continuamente me estranho.
Nunca me vi nem achei.
De tanto ser, só tenho alma.
Quem tem alma não tem calma.
Quem vê é só o que vê.
Quem sente não é quem é.

Atento ao que sou e vejo,
Torno-me eles e não eu.
Cada meu sonho ou desejo,
É do que nasce, e não meu.
Sou minha própria paisagem,
Assisto à minha passagem,
Diverso, móbil e só.
Não sei sentir-me onde estou.

Por isso, alheio, vou lendo
Como páginas, meu ser.
O que segue não prevendo,
O que passou a esquecer.
Noto à margem do que li
O que julguei que senti.
Releio e digo, «Fui eu?»
Deus sabe, porque o escreveu.

Una casa portuguesa, Amalia Rodrigues

Friday, February 11, 2011

Only memories waking...


Yannis Stavrou, Four Red Ships, oil on canvas

Only memories waking
That sleep so light a sleep...

Sarah Teasdale

It is not a Word

It is not a word spoken,
Few words are said;
Nor even a look of the eyes
Nor a bend of the head,

But only a hush of the heart
That has too much to keep,
Only memories waking
That sleep so light a sleep.

Only in Sleep

Only in sleep I see their faces,
Children I played with when I was a child,
Louise comes back with her brown hair braided,
Annie with ringlets warm and wild.

Only in sleep Time is forgotten --
What may have come to them, who can know?
Yet we played last night as long ago,
And the doll-house stood at the turn of the stair.

The years had not sharpened their smooth round faces,
I met their eyes and found them mild --
Do they, too, dream of me, I wonder,
And for them am I too a child?

Thursday, January 27, 2011

The Shock Doctrine...

In THE SHOCK DOCTRINE, Naomi Klein explodes the myth that the global free market triumphed democratically. Exposing the thinking, the money trail and the puppet strings behind the world-changing crises and wars of the last four decades, The Shock Doctrine is the gripping story of how America’s “free market” policies have come to dominate the world-- through the exploitation of disaster-shocked people and countries.



At the most chaotic juncture in Iraq’s civil war, a new law is unveiled that would allow Shell and BP to claim the country’s vast oil reserves…. Immediately following September 11, the Bush Administration quietly out-sources the running of the “War on Terror” to Halliburton and Blackwater…. After a tsunami wipes out the coasts of Southeast Asia, the pristine beaches are auctioned off to tourist resorts.... New Orleans’s residents, scattered from Hurricane Katrina, discover that their public housing, hospitals and schools will never be reopened…. These events are examples of “the shock doctrine”: using the public’s disorientation following massive collective shocks – wars, terrorist attacks, or natural disasters -- to achieve control by imposing economic shock therapy. Sometimes, when the first two shocks don’t succeed in wiping out resistance, a third shock is employed: the electrode in the prison cell or the Taser gun on the streets.

Based on breakthrough historical research and four years of on-the-ground reporting in disaster zones, The Shock Doctrine vividly shows how disaster capitalism – the rapid-fire corporate reengineering of societies still reeling from shock – did not begin with September 11, 2001. The book traces its origins back fifty years, to the University of Chicago under Milton Friedman, which produced many of the leading neo-conservative and neo-liberal thinkers whose influence is still profound in Washington today. New, surprising connections are drawn between economic policy, “shock and awe” warfare and covert CIA-funded experiments in electroshock and sensory deprivation in the 1950s, research that helped write the torture manuals used today in Guantanamo Bay.

The Shock Doctrine follows the application of these ideas through our contemporary history, showing in riveting detail how well-known events of the recent past have been deliberate, active theatres for the shock doctrine, among them: Pinochet’s coup in Chile in 1973, the Falklands War in 1982, the Tiananmen Square Massacre in 1989, the collapse of the Soviet Union in 1991, the Asian Financial crisis in 1997 and Hurricane Mitch in 1998.

Monday, January 24, 2011

A man's worth has its season, like fruit...

Few people have the wisdom to prefer the criticism that would do them good, to the praise that deceives them...

About human nature - one of the greatest minds


François VI duke de La Rochefoucauld
(1613-1680)

Francois de La Rochefoucauld

Aphorisms

(some of his 504 aphorisms found in his book "Réflexions ou sentences et maximes morales")

It is not enough to have great qualities; We should also have the management of them.


It is not in the power of even the most crafty dissimulation to conceal love long, where it really is, nor to counterfeit it long where it is not.

It is often laziness and timidity that keep us within our duty while virtue gets all the credit.

It is with an old love as it is with old age a man lives to all the miseries, but is dead to all the pleasures.

It is with true love as it is with ghosts; everyone talks about it, but few have seen it.

It takes nearly as much ability to know how to profit by good advice as to know how to act for one's self.

It's easier to be wise for others than for ourselves.

It's the height of folly to want to be the only wise one.

Mediocre minds usually dismiss anything which reaches beyond their own understanding.

Jealously is always born with love but it does not die with it.

Jealousy contains more of self-love than of love.

Jealousy is bred in doubts. When those doubts change into certainties, then the passion either ceases or turns absolute madness.

Jealousy is not so much the love of another as the love of ourselves.

Jealousy lives upon doubts. It becomes madness or ceases entirely as soon as we pass from doubt to certainty.

Jealousy springs more from love of self than from love of another.

Love can no more continue without a constant motion than fire can; and when once you take hope and fear away, you take from it its very life and being.

Love often leads on to ambition, but seldom does one return from ambition to love.

Many men are contemptuous of riches; few can give them away.

Men give away nothing so liberally as their advice.

Men often pass from love to ambition, but they seldom come back again from ambition to love.

A great many men's gratitude is nothing but a secret desire to hook in more valuable kindnesses hereafter.

A man is sometimes as different from himself as he is from others.

A man's worth has its season, like fruit.

A refusal of praise is a desire to be praised twice.

A true friend is the greatest of all blessings, and that which we take the least care of all to acquire.

A wise man thinks it more advantageous not to join the battle than to win.

A work can become modern only if it is first postmodern. Postmodernism thus understood is not modernism at its end but in the nascent state, and this state is constant.

Absence diminishes mediocre passions and increases great ones, as the wind extinguishes candles and fans fires.

All the passions make us commit faults; love makes us commit the most ridiculous ones.

As great minds have the faculty of saying a great deal in a few words, so lesser minds have a talent of talking much, and saying nothing.

As it is the characteristic of great wits to say much in few words, so small wits seem to have the gift of speaking much and saying nothing.

As one grows older, one becomes wiser and more foolish.

Before we set our hearts too much upon anything, let us examine how happy they are, who already possess it.

Being a blockhead is sometimes the best security against being cheated by a man of wit.

Conceit causes more conversation than wit.

Confidence contributes more to conversation than wit.

Decency is the least of all laws, but yet it is the law which is most strictly observed.

Every one speaks well of his own heart, but no one dares speak well of his own mind.

Everyone complains of his memory, and nobody complains of his judgment.

Few people have the wisdom to prefer the criticism that would do them good, to the praise that deceives them.

Friday, January 21, 2011

No, I regret nothing, all I regret is having been born...


Samuel Beckett (1906-1989)

No, I regret nothing, all I regret is having been born, dying is such a long tiresome business I always found...

Samuel Beckett

Aphorisms

All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead.

Birth was the death of him.

Do we mean love, when we say love?

Dublin university contains the cream of Ireland: Rich and thick.

Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better.

Every word is like an unnecessary stain on silence and nothingness.

Go on failing. Go on. Only next time, try to fail better.

Habit is a great deadener.

I can't go on. I'll go on.

I have my faults, but changing my tune is not one of them.

I shall state silences more competently than ever a better man spangled the butterflies of vertigo.

I write about myself with the same pencil and in the same exercise book as about him. It is no longer I, but another whose life is just beginning.

If I had the use of my body, I would throw it out the window.

If you do not love me I shall not be loved If I do not love you I shall not love.

In the landscape of extinction, precision is next to godliness.

It is right that he too should have his little chronicle, his memories, his reason, and be able to recognize the good in the bad, the bad in the worst, and so grow gently old down all the unchanging days, and die one day like any other day, only shorter.

James Joyce was a synthesizer, trying to bring in as much as he could. I am an analyzer, trying to leave out as much as I can.

Just under the surface I shall be, all together at first, then separate and drift, through all the earth and perhaps in the end through a cliff into the sea, something of me. A ton of worms in an acre, that is a wonderful thought, a ton of worms, I believe it.

Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss.

No, I regret nothing, all I regret is having been born, dying is such a long tiresome business I always found.

Friday, January 7, 2011

Comments & Greek artists, Greek painting: to have sailed across the diverse seas of the world...

and to have seen nothing, or almost nothing
except the face of a girl from Buenos Aires
a face that does not want you to remember it...

Jorge Luis Borges

Elegy

Oh destiny of Borges
to have sailed across the diverse seas of the world
or across that single and solitary sea of diverse names,
to have been a part of Edinburgh, of Zurich, of the two Cordobas,
of Colombia and of Texas,
to have returned at the end of changing generations
to the ancient lands of his forebears,
to Andalucia, to Portugal and to those counties
where the Saxon warred with the Dane and they mixed their blood,
to have wandered through the red and tranquil labyrinth of London,
to have grown old in so many mirrors,
to have sought in vain the marble gaze of the statues,
to have questioned lithographs, encyclopedias, atlases,
to have seen the things that men see,
death, the sluggish dawn, the plains,
and the delicate stars,
and to have seen nothing, or almost nothing
except the face of a girl from Buenos Aires
a face that does not want you to remember it.
Oh destiny of Borges,
perhaps no stranger than your own.

Tuesday, January 4, 2011

Comments & Greek artists, Greek painters: A thing of beauty is a joy for ever...

John Keats

(from)
Endymion
Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o’er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
’Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven’s brink.

Wednesday, December 29, 2010

Comments & Greek artists, Greek painting: They came dressed up as "friends"...

Odysseas Elytis

They Came

They came
dressed up as “friends,”
came countless times, my enemies,
trampling the primeval soil.
And the soil never blended with their heel.
They brought
The Wise One, the Founder, and the Geometer,
Bibles of letters and numbers,
every kind of Submission and Power,
to sway over the primeval light.
And the light never blended with their roof.
Not even a bee was fooled into beginning the golden game,
not even a Zephyr into swelling the white aprons.
On the peaks, in the valleys, in the ports
they raised and founded
mighty towers and villas,
floating timbers and other vessels;
and the Laws decreeing the pursuit of profit
they applied to the primeval measure.
And the measure never blended with their thinking.
Not even a footprint of a god left a man on their soul,
not even a fairy’s glance tried to rob them of their speech.
They came
dressed up as “friends,”
came countless times, my enemies,
bearing the primeval gifts.
And their gifts were nothing else
but iron and fire only.
To the open expecting fingers
only weapons and iron and fire.
Only weapons and iron and fire.

Friday, December 17, 2010

Comments & Greek artists, Greek painters: O World! O Life! O Time! On whose last steps I climb...

Poetry & Greek artists, contemporary Greek painters


Yannis Stavrou, Attica Landscape, oil on canvas

Percy Shelley


A Lament

O World! O Life! O Time!
On whose last steps I climb,
Trembling at that where I had stood before;
When will return the glory of your prime?
No more -Oh, never more!

Out of the day and night
A joy has taken flight:
Fresh spring, and summer, and winter hoar
Move my faint heart with grief, but with delight
No more -Oh, never more!