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Comments on Greek painting, art, contemporary thought

Our blog is an artistic, cultural guide to the Greek landscapes. At the same time it offers an introduction to the history of Greek fine arts, Greek artists, mainly Greek painters, as well as to the recent artistic movements

Our aim is to present the Greek landscapes in a holistic way: Greek landscapes refer to pictures and images of Greece, to paintings and art, to poetry and literature, to ancient philosophy and history, to contemporary thought and culture...
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greek artists, contemporary thought, greek painters, literature, greek paintings, modern greek artists



Friday, October 8, 2010

Comments & contemporary Greek artists: by this distant northern sea...

Sea & Greek artists, modern Greek artists, Greek painting


Yannis Stavrou, Thermaikos, Thessaloniki, oil on canvas

Sophocles long ago
Heard it on the Agaean, and it brought

Into his mind the turbid ebb and flow

Of human misery; we

Find also in the sound a thought,

Hearing it by this distant northern sea...


Matthew Arnold


Dover Beach

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand;
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the A gaean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.


Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.


Matthew Arnold (1822-1888)

Apolo Mousagetes

Through the black, rushing smoke-bursts,
Thick breaks the red flame;
All Etna heaves fiercely
Her forest-clothed frame.

Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea,

Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!

On the sward at the cliff-top
Lie strewn the white flocks,
On the cliff-side the pigeons
Roost deep in the rocks.

In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapped in their blankets
Asleep on the hills.

--What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?

What sweet-breathing presence
Out-perfumes the thyme?
What voices enrapture
The night's balmy prime?

'Tis Apollo comes leading
His choir, the Nine.
--The leader is fairest,
But all are divine.

They are lost in the hollows!
They stream up again!
What seeks on this mountain
The glorified train?--

They bathe on this mountain,
In the spring by their road;
Then on to Olympus,
Their endless abode.

--Whose proase do they mention?
Of what is it told?--
What will be for ever;
What was from of old.

First hymn they the Father
Of all things; and then,
The rest of immortals,
The action of men.

The day in his hotness,
The strife with the palm;
The night in her silence,
The stars in their calm.

1 comment:

Angela said...

That is a beautiful painting, it really feels atmospheric and a real sense of space and light.