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Comments on Greek painting, art, contemporary thought

Our blog is an artistic, cultural guide to the Greek landscapes. At the same time it offers an introduction to the history of Greek fine arts, Greek artists, mainly Greek painters, as well as to the recent artistic movements

Our aim is to present the Greek landscapes in a holistic way: Greek landscapes refer to pictures and images of Greece, to paintings and art, to poetry and literature, to ancient philosophy and history, to contemporary thought and culture...
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greek artists, contemporary thought, greek painters, literature, greek paintings, modern greek artists



Showing posts with label Ezra Pound. Show all posts
Showing posts with label Ezra Pound. Show all posts

Friday, September 28, 2012

Go, my songs, seek your praise from the young and from the intolerant...



Ezra Pound
Some Poems

Ité

Go, my songs, seek your praise from the young
and from the intolerant,
Move among the lovers of perfection alone.
Seek ever to stand in the hard Sophoclean light
And take you wounds from it gladly.

The Coming Of War: Actaeon

An image of Lethe,
and the fields
Full of faint light
but golden,
Gray cliffs,
and beneath them

A sea
Harsher than granite,
unstill, never ceasing;
High forms
with the movement of gods,
Perilous aspect;
And one said:
'This is Actaeon.'
Actaeon of golden greaves!
Over fair meadows,
Over the cool face of that field,
Unstill, ever moving
Hosts of an ancient people,
The silent cortège.

PHASELLUS ILLE 

This papier-mâché, which you see, my friends,
Saith 'twas the worthiest of editors.
Its mind was made up in 'the seventies',
Nor hath it ever since changed that concoction.
It works to represent that school of thought
Which brought the hair-cloth chair to such perfection,
Nor will the horrid threats of Bernard Shaw
Shake up the stagnant pool of its convictions;
Nay, should the deathless voice of all the world
Speak once again for its sole stimulation,
Twould not move it one jot from left to right.

Come Beauty barefoot from the Cyclades,
She'd find a model for St. Anthony
In this thing's sure decorum and behaviour. 

SURGIT FAMA

There is a truce among the gods,
Kore is seen in the North
Skirting the blue-gray sea
In gilded and russet mantle.
The corn has again it's mother and she, Leuconoe,
That failed never women,
Fails not the earth now.

The tricksome Hermes is here;
He moves behind me
Eager to catch my words,
Eager to spread them with rumour;
To set upon them his change
Crafty and subtle;
To alter them to his purpose;
But do thou speak true, even to the letter:

‘Once more in Delos, once more is the altar a-quiver.
Once more is the chant heard.
Once more are the never abandoned gardens
Full of gossip and old tales.’ 


CODA

O My songs,
Why do you look so eagerly and so curiously into
people's faces,
Will you find your lost dead among them?

Monday, November 7, 2011

with usura hath no man a painted paradise...


Piero de la Franscesca (1422-1492)

They have brought whores for Eleusis
Corpses are set to banquet
at behest of usura...

Ezra Pound

Canto XLV
-With Usura

With usura hath no man a house of good stone
each block cut smooth and well fitting
that design might cover their face,
with usura
hath no man a painted paradise on his church wall
harpes et luz
or where virgin receiveth message
and halo projects from incision,
with usura
seeth no man Gonzaga his heirs and his concubines
no picture is made to endure nor to live with
but it is made to sell and sell quickly
with usura, sin against nature,
is thy bread ever more of stale rags
is thy bread dry as paper,
with no mountain wheat, no strong flour
with usura the line grows thick
with usura is no clear demarcation
and no man can find site for his dwelling.
Stonecutter is kept from his tone
weaver is kept from his loom
WITH USURA
wool comes not to market
sheep bringeth no gain with usura
Usura is a murrain, usura
blunteth the needle in the maid’s hand
and stoppeth the spinner’s cunning. Pietro Lombardo
came not by usura
Duccio came not by usura
nor Pier della Francesca; Zuan Bellin’ not by usura
nor was ‘La Calunnia’ painted.
Came not by usura Angelico; came not Ambrogio Praedis,
Came no church of cut stone signed: Adamo me fecit.
Not by usura St. Trophime
Not by usura Saint Hilaire,
Usura rusteth the chisel
It rusteth the craft and the craftsman
It gnaweth the thread in the loom
None learneth to weave gold in her pattern;
Azure hath a canker by usura; cramoisi is unbroidered
Emerald findeth no Memling
Usura slayeth the child in the womb
It stayeth the young man’s courting
It hath brought palsey to bed, lyeth
between the young bride and her bridegroom
CONTRA NATURAM
They have brought whores for Eleusis
Corpses are set to banquet
at behest of usura.

Wednesday, March 31, 2010

Comments & Greek artists, modern Greek artists: If a nation's literature declines, the nation atrophies and decays...

Poets & contemporary Greek artists, Greek painters


Γιάννης Σταύρου, Στο κύμα, λάδι σε καμβά

"The poet of the poet's"...

According to William Butler Yeats he was "a solitary volcano"...

Maybe, the greatest poet of the 20th century...



Ezra Pound

Cando 49

For the seven lakes, and by no man these verses:
Rain; empty river; a voyage,
Fire from frozen cloud, heavy rain in the twilight
Under the cabin roof was one lantern.
The reeds are heavy; bent;
and the bamboos speak as if weeping.

Autumn moon; hills rise about lakes
against sunset
Evening is like a curtain of cloud,
a blurr above ripples; and through it
sharp long spikes of the cinnamon,
a cold tune amid reeds.
Behind hill the monk's bell
borne on the wind.
Sail passed here in April; may return in October
Boat fades in silver; slowly;
Sun blaze alone on the river.

Where wine flag catches the sunset
Sparse chimneys smoke in the cross light

Comes then snow scur on the river
And a world is covered with jade
Small boat floats like a lanthorn,
The flowing water closts as with cold. And at San Yin
they are a people of leisure.

Wild geese swoop to the sand-bar,
Clouds gather about the hole of the window
Broad water; geese line out with the autumn
Rooks clatter over the fishermen's lanthorns,

A light moves on the north sky line;
where the young boys prod stones for shrimp.
In seventeen hundred came Tsing to these hill lakes.
A light moves on the South sky line.

State by creating riches shd. thereby get into debt?
Thsi is infamy; this is Geryon.
This canal goes still to TenShi
Though the old king built it for pleasure

K E I M E N R A N K E I
K I U M A N M A N K E I
JITSU GETSU K O K W A
T A N FUKU T A N K A I

Sun up; work
sundown; to rest
dig well and drink of the water
dig field; eat of the grain
Imperial power is? and to us what is it?

The fourth; the dimension of stillness.
And the power over wild beasts.

And the days are not full enough

And the days are not full enough
And the nights are not full enough
And life slips by like a field mouse
Not shaking the grass

Some of his quotations

  • A man of genius has a right to any mode of expression.
  • Genius... is the capacity to see ten things where the ordinary man sees one.
  • Good art however "immoral" is wholly a thing of virtue. Good art can NOT be immoral. By good art I mean art that bears true witness, I mean the art that is most precise.
  • Great literature is simply language charged with meaning to the utmost possible degree.
  • If a nation's literature declines, the nation atrophies and decays.
  • In our time, the curse is monetary illiteracy, just as inability to read plain print was the curse of earlier centuries.
  • Properly, we should read for power. Man reading should be man intensely alive. The book should be a ball of light in one's hand.
  • Real education must ultimately be limited to men who insist on knowing, the rest is mere sheep-herding.
  • Religion, oh, just another of those numerous failures resulting from an attempt to popularize art.
  • The image is more than an idea. It is a vortex or cluster of fused ideas and is endowed with energy.
  • The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
  • The real trouble with war (modern war) is that it gives no one a chance to kill the right people.